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2011 CLIENT REVIEW: WHY RELATIONSHIPS MATTER

March 13th, 2012

When I was in school and working as a photographer for the University of Washington Daily, the publisher (our adviser) introduced some of us to the communications department of the Everett School District.

We would shoot hand-rolled Tri-X film, process it in the Daily’s darkroom, make contact sheets on paper we bought, edit it, and submit for client review. Once the images were chosen, we’d scan the negatives and work the images in Photoshop. It was a great arrangement; given our experience we were reasonably paid, but what we learned was invaluable. It was an introduction to contracts and corporate communications, with a reliance on our growing journalistic skill.

Last year, I received an email from Karri Matau, one of the people from the Everett School District’s communications team. She now works for the Greater Everett Community Foundation. It’s a great job: give money away to partner non profits in Snohomish County, north of Seattle. (above: Inside a juvenile detention facility where the foundation supports an art program. They are my first client to use iPhone images in an annual report)

Reintroducing herself by email, she said:

“I googled you to see if you stayed in the field. I am breathless by your portfolio and work to date!!!”

“We have a story to tell and a need to help our community celebrate and rebuild hope for the future,” she continued. “Interested in helping do some photo shoots with our grantees to “capture” our story for our annual publication and for our breakfast celebration in Sept?”

“I have hired a lot of photographer for day shoots and I’m just not pleased with the lack of emotion and energy in the shots.”
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Posted in advocacy, client, clients, community, inspiration, NGO, non profit, photography Comments Off on 2011 CLIENT REVIEW: WHY RELATIONSHIPS MATTER

DOCUMENTING “PRISON PHOTOGRAPHY ON THE ROAD” WITH PETE BROOK

December 10th, 2011

With an eye toward prison reform, writer and academic Pete Brook analyzes prison photography from behind his desk. After three years, he decided it was time to get out, on the road, and meet the people he’d written about. Especially the prisoners.

Pete is clear that he isn’t a photographer. Instead, he writes for Wired.com’s RAW File and runs his own blog where he dissects photography about the prison system in America. I knew him peripherally through the photo community and through introduction several years ago by a mutual friend. I like what he does, so when he put out an ask to help make a Kickstarter video, I offered to shoot it and Seattle Times staffer Erica Schultz edited it with Pete in an 11 hour binge.

Prison Photography has built a community over the years. There’s no money involved, so for Pete to get on the road, he had to ask for help. The Kickstarter campaign began. By using social media and crowd-sourced funding, he successfully raised more than he thought it would cost to make the grand American tour, meeting photographers in person, visiting prisons, and seeing education programs at work.

Click here or below to read more and see a scene cut from the video.

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MULTIMEDIA: SASQUATCH OR BUST

July 7th, 2010

This is a story about a love for music and the strength of friendship. Sasquatch is a three-day music festival in eastern Washington, just 2.5 hours from Seattle. Thousands travel to the Gorge Amphitheater for the live bands, to camp on the grass, and celebrate with friends.

Spike Kane grew up immersed in the world of live music, witnessing the rise of bands such as The Clash and Echo and the Bunnymen. Many of his old friends in Liverpool are still musicians. For the last five years, Spike was unable to go to shows or even appreciate the music so vital to his existence.

In June, 2010, Spike returned to the Gorge with the help of his friends, to once again participate in a music festival.

Read more About “Sasquatch or Bust” including tech tips after the jump!

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